Tuesday, 14 June 2016

new website, new blog

I recently finished my new website which will now be home to my blog...all posts are archived on the new site. To check out the site and continue reading my blog please visit:

http://www.lizmyhill.com/ 

Tuesday, 26 April 2016

RSW 5th Summer Open Annual Exhibition

The RSW show opens this weekend in Forfar with a wide selection of work in water-based media. I'll be showing two works both inspired by some of my travels and the result of much experimentation. I find that working across a variety of media leads naturally to approaching work in new ways as one discipline informs the other and my printmaking practice has had a strong influence on the development of these pieces. 



 This is one of a series of "Lost Postcards" from Cuba, my postcards (those which turned up) took over six months to reach the UK leading to questions around communications and freedom of speech both within Cuba and its relationship with the wider world.

Below, a painting on constructed papers reflecting the wonderful higgeldy-piggeldy effect of crumbling plaster, painted signs, posters and other ephemera which captivated me in India. 
 

For more details and opening times follow the link:
http://www.rsw.org.uk/ 

Wednesday, 20 April 2016

Print Room Dundee

I'm very pleased to be part of an exciting new collective of printmakers who all make our work in Dundee. The mutual support of everyone at the workshop, opinions, advice and general cameraderie have been invaluable over the years so now its nice to look forward to showing work together as well as making it alongside each other.

http://www.printroomdundee.scot/index.htm 

Keep an eye on the website for news of exhibitions and events, hopefully coming soon!

Wednesday, 13 April 2016

The Isle of May


 I have just spent a wonderful week on the Isle of May in the Firth of Forth, walking, watching, drawing and absorbing the rhythm of life on the island. Predictably the weather was changeable and there were moments of battling the wind as paper and drawing board threatened to blow away or having to dry out a sodden sketchbook by the stove. But it meant seeing so many different facets of the island as sea spume swirled around the cliffs at Altarstanes Harbour, the magical appearance of vast numbers of puffins from the gloom of a murky morning or shags preening and glistening in the sunshine.

More to come soon!



Monday, 21 March 2016

The Black Spout



I had a fabulous day out drawing the Black Spout waterfalls at Pitlochry last week. The sun was shining, the birds were singing, it was actually warm enough that my hands didn't go blue working without gloves on! Here are a couple of the drawings, really enjoying the play of light on still pools or foaming, rushing torrents and some lovely rock forms.

Monday, 7 March 2016

Winter Drawing


A few quick sketches from my travels around Dumfries and Galloway on a glorious frosty and sunny morning in February. 

And drawings in ink of some fantastic tree forms. I really enjoyed getting back to basics making these, restricting myself to working purely in black and white with one brush and a twig. Its always a pleasure spending a few hours outside, getting completely absorbed in a subject and thinking of nothing else but what the next mark will be.


 

Wednesday, 17 February 2016

Royal Institute of Painters In Watercolour Exhibition


One of my India inspired watercolours 'Sabzi Bazaar' has just been accepted to the RI show at Mall Galleries, London and will be on show there from 6th-16th April 2016.

http://www.mallgalleries.org.uk/whats-on/exhibitions/royal-institute-painters-water-colours-2016 

The piece began life as a selection of sketchbook images which I had been working up using different printmaking techniques and as a by-product, had lots of lovely scraps of brightly coloured and textured papers. They resolved themselves into an image formed around two women who I drew at a vegetable bazaar in Udaipur. A huge basket of luscious papaya and other equally vibrant fruit and vegetables in the foreground vied for brilliance with the womens shimmering saris. As usual the setting was a confusing backdrop of awnings, parasols, doorways, peeling paintwork, signs and small shrines.