The making of a print...

I regularly work with a variety of printmaking techniques, one of my favourites being collagraph. This was a plate based on some sketches gathered out and about around Sutherland... and a wee look at the process that goes into each print:

The prepared block ready to be inked up...
 

Ink is applied with a spatula in a layer across the whole surface...
 

Then wiped back until just a thin coating remains, trapped in the textural surface of the block...
 

The block is laid on the press with a sheet of dampened paper on top, tissue paper and thick wool blankets...
 

It is then wound through...
 

And at the other side its time to carefully peel back the paper and see how the image has printed...

The print is complete and will be stacked between tissue paper and weighted boards for a few days to dry.

 

 

A Walk in the Hebrides

This collagraph was made as part of a series based on a walk along the west coast of the Isle of Lewis, observing the changing colours and light from early morning through until the late midsummer dusk.

A Khanderao Sketchbook

 

Recently I've been experimenting with a variety of printmaking techniques with the aim of conveying all the scraps of information I collect during the process of working on location. This piece is predominantly collagraph and based on a vegetable market in Gujarat, India. Finding a quiet spot to settle down and draw among the hustle and bustle wasn't easy but the setting in a quadrangle bazaar with canopies strung overhead, deeply shaded passageways, mounds of glistening produce and the constant movement and voices of customers, sellers and porters was captivating.........and there was always a hot cup of chai close at hand!

The Moine

During one of my drawing trips around Sutherland while working as artist in residence with the Strathnaver Museum I stopped to make a quick sketch of this ruined cottage beyond the loch. Moine House was once a travellers resting place on the expanse of peat bog which lies between Tongue and Laid. With a strong breeze clouds were moving quickly and the loch was alternately steely grey and dazzlingly bright.

The Moine: Collagraph print on silk